Introduction to Camera Movement
Camera movement is when a camera is moved to visually shape a narrative. Camera movement helps enhance the story. The director is in charge of the camera movement in production.
George Lucas
Star Wars: Episode IV - A New Hope; The Empire Strikes Back; Return of the Jedi
One scene that was my favorite was the scene when they zoomed in where Darth Vader said, "Luke I am your father."
Francis Lawrence
The Hnger Games: Catching Fire; The Hunger Games: Mockingjay - Part 1; The Hunger Games: Mockingjay - Part 2
One scene that was my favorite was the scene when they zoomed in where Katniss' dress changes into a different one when she twirls.
Two camera movements that I already knew before this lesson were zoom in and zoom out. I recognized their movement because I have a camera that I know how to zoom in and zoom out on.
Camera Movement Technique | Definition | 3 Key Points about each technique |
Static | Creating a scene with a fixed position, or zero camera movement is the static technique. | Static camera movements are good for dialogue, maintaining precise composition, and heightening an actor’s influence on a scene. |
Pan | When a camera is rotated horizontally (left or right), maintaining a fixed position. | Pans can be used to follow a character’s actions, reveal information, or to follow a newly introduced element. |
Tilt | When a camera is moved vertically (up or down). | A tilt can be used to show the verticality of a world, can be used to show the dominance of a character, or reveal information. |
Dolly In/Push In | When the camera is moved towards an element or character. | A push in is used to emphasize a moment, direct attention to a specific object, or can be used to capture a character’s thought process. |
Dolly Out/Pull Out | When the camera is moved away from the subject. | Deemphasizes the subject, a signal to disconnect from the characters, can unveil the context of a scene. |
Zoom In | When the focal length of the camera’s lens changes. | Draws the audience’s attention to a specific detail, to emphasize a comedic or dramatic moment, to give a character power. |
Reverse Zoom/Zoom Out | When the focal length of the camera’s lens changes. | Reveals the context around a subject, to emphasize a comedic or dramatic moment, to give a character power. |
Tracking | Where the camera is physically moving through a scene. | Moves with a subject, meant for long takes that are meant to immerse the audience into a scene, draws attention to specific actions. |
Trucking | When the camera moves laterally, left or right. | Establishes both the world and character, gives a storyboard fashion, and follows a character |
Random Movement | Camera shake incidental zooms or any movement that happens on the fly. | Makes it seem out of control, adds subtly, gives a more intimate effect. |
Boom (Created by a crane/Pedestal) | Moves a camera up or down utilizing a crane or jib. | Reveals information, follows characters in action, and can capture the world around them. |
Arc | Camera movement that orbits around a subject | Adds dynamic movement, keeps the focus centralized on a topic, and can underscores tension. |
Comments
Post a Comment